Books Sounding the Margins, Edited by Lawton Hall, Deep Listening Publications, 2011 The Collective Intelligence of Improvistion, in Arcana V: Musicians on Music, Magic & Mysticism, Edited by John Zorn, Hips Road/Tzadik, 2010 From outside the window: electronic sound performance. Pauline Oliveros, Chapter 22 in The Oxford Handbook of Computer Music and Digital Sound Culture, Edited by Roger T. Dean, austraLYSIS, Sydney, and MARCS Auditory Laboratories, University of Western Sydney, Australia. 11/2008 Deep Listening:A Composer’s Sound Practice, iUNIVERSE, 2005 Harmonic Anatomy: Women in Imprvisation in the The Other Side of Nowhere: Jazz, Improvisation and Communities in Dialog, Edited by Ajay Heble, Wesleayan University Press, 2004 Deep Listenng: A Composer’s Sound Practice, Deep Listening Publications, 2004 Acoustic and Virtual Space as a Dynamic Parameter of Music in Women in Music Technology, edited by Judy Malloy. MIT Press, 2003 The Roots of the Moment: Collected Writings 1980-1996, Drogue Press, 1998 Software For People: Collected Writings 1963-1980, Smith Publications, 1983 Includes articles on new music, women as composers, sonic meditation, attention and awareness, and technique. Smith Publications, 1984 Initiation Dream, A vivid dream of passage narrated by experimental composer Oliveros and realized through photographs by Becky Cohen. Astro Artz, 1983 Pauline's Proverbs collected by Linda Montano, Printed Editions, 1980
Selected Journal Articles Caira -- a Creative Artificially-Intuitive and Reasoning Agent as Conductor of Telematic Music Improvisations, Authors: Jonas Braasch, Doug Van Nort, Selmer Bringsjord, Pauline Oliveros, Anthony Parks, and Colin Kuebler, AES Journal, 2010 Networked Music: Low and High Tech, Contemporary Music Review Listening for Music Through Community, Leonardo Music Journal Volume 19 CD curated by Pauline Oliveros, MIT Press Journals, 2009 From Telephone to High Speed Internet: A Brief History of My Tele-Musical Performances, Leonardo Music Journal Volume 19, MIT Press The Expanded Instrument System: Introduction and Brief History, P. Oliveros, included in The Future of Creative Technologies, Journal of the Institute of Creative Technologies, De Montfort University, Leicester, UK, June 2008 My “American Music”: Soundscape, Politics, Technology, Community, American Music vol. 25, no. 4, 2007 Sounding the Borders Forthcoming in Spanish from Centro Multimedia, Mexico City, September, 2007 Improvising with Spaces, Proceedings of the Acoustical Society of America, Providence RI June, 2006 Improvisation in the Sonosphere, Contemporary Music Review, Volume 25, Issue 5, 2006, Pages 481 – 482 Tripping On Wires: The Wireless Body – Who Is Improvising? In Critical Studies in Improvisation/Etudes critiques en improvisation, an online journal, 2004 Tools of Change and Transformation: For the China Catalog: Alfred University, July 2001 As Composers Where Are We Going? American Composers Forum Newsletter, 2001 Quantum Listening: From Practice to Theory to Practice Practice, MusicWorks #75, Fall 2000 Plenum Address for Humanities in the New Millennium, Chinese University, Hong Kong, 2000 Quantum Improvisation: The Cybernetic Presence, Keynote address for Improvisation Across Borders UCSD, MusicWorks #76, Spring 2000 David Behrman and his home grown Music: Woodstock Times September 26, 1999 Evangelism in Tappan Square: Oberlin College News Spring, 1999 Deep Listening™ Bridge To Collaboration by Pauline Oliveros, Keynote address: ArtSci98>>>seeding collaboration, A public symposium, April 4 1998 Cooper Union, NYC, IAWM Journal Fall 2/3, 1999 The Expanded Instrument System: New Developments, Pauline Oliveros and David Gamper, Leonardo Music Journal, Spring, 1998 Breaking the Silence, Commissioned by Frau Musika (nova), January 1998 A Former UCSD Professor Speaks Up: An Email Exchange IAWM Journal, 1997 Tribute to David:MusicWorks 9/96 Acoustic and Virtual Space as a Dynamic Element of Music: Leonardo Music Journal #5, 1995 Listening As Healing: Movement Research, 8/7/1994 Expanded Instrument System (EIS)® Authors: Oliveros, P. and Panaiotis: Proceedings of the International Computer Music Association, 1992 The Earth Worm Also Sings: A Response to I Hear Therefore I Am: Listening In the Twenty First Century, a paper given by Joachim-Ernst Berendt at a theme session of the Glenn Gould Conference on Music and Technology, Toronto, Canada, September 24, 1992 Cultivating an Artist's Career: FYI, New York Foundation for the Arts, September 1991 Choreography Through Meditation: Oberlin Dance Collective in San Francisco, January 1981
